ARHA 502 / ANATOLIAN CIVILIZATIONS III: L
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Investigation of archaeological, art historical and historical testimonies ranging from the Late Roman through the Byzantine periods in the territories of present · day Türkiye. Examination of the ways in which lands of the Roman Empire, both cities and countryside, underwent transformations, adaptations and radical changes. Discussion on the impact early Islamic cultures bore on Eastern Anatolia and beyond. (3 credits)

ARHA 505 / MUSEUM STUDIES AND CULTURAL HE
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An introduction to the practical and theoretical aspects of working in and with a variety of museum institutions and cultural heritage institutions in Türkiye and abroad. The course is organized in modules and taught by local faculty and visiting experts from museums and cultural heritage institutions around the world.

ARHA 506 / ARCHAEOLOGICAL METHODS AND THE
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

This course covers theoretical approaches and methods used in the design and implementation of archaeological field research and data analysis. It focuses on the principles that archaeologists use to explain human cultural development from the material record of the past. Questions considered will include: What is archaeology and what are its aims? Is there a coherent body of archaeological theory to which most archaeologists subscribe? What appears to be the most productive theoretical approaches for understanding and interpreting the past?

ARHA 506 / ARCHAEOLOGICAL METHODS AND THE
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

This course covers theoretical approaches and methods used in the design and implementation of archaeological field research and data analysis. It focuses on the principles that archaeologists use to explain human cultural development from the material record of the past. Questions considered will include: What is archaeology and what are its aims? Is there a coherent body of archaeological theory to which most archaeologists subscribe? What appears to be the most productive theoretical approaches for understanding and interpreting the past?

ARHA 507 / ARCHAEOLOGICAL METHODS AND THE
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Archaeological method and theory with emphasis on the principles and practice of Anatolian archaeology. Topics include: survey and excavation methods and associated recording techniques, the instrumental analysis and interpretation of various kinds of excavated materials, and the presentation and publication of archaeological results.

ARHA 508 / ADVANCED HISTORIOGRAPHY AND TH
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

This course examines the concepts and methodology of art historical study and their application to the visual arts of different periods and regions, including the historical and philosophical foundations of contemporary criticism and theory.

ARHA 510 / RESEARCH SEMINAR
Term: Fall 2022Units 0Times: 0:00:00-0:00:00

Students present their research and MA thesis proposals. Learn about research methods, publication ethics and improve their writing planning. Graduate students participate in the seminars given by Archaeology and History of Art program faculty and visiting fellows at the Center for Anatolian Civilizations

ARHA 522 / PAINTING IN OTTOMAN EMPIRE
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Introduction to painting in the Ottoman Empire through the centuries, the art of miniature painting, manuscript illustration and album making in the Ottoman palace, the formation of a distinctive style developed through the interactions of the visual traditions of the East and West. The adoption of new techniques and styles such as murals and canvas painting as a result of encounters with Western art.

ARHA 527 / CONSTANTINOPLE (330-1453)
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

The history and the archaeology of the Byzantine imperial capital from its foundation to the Ottoman conquest. The functions of the built environment in relation to both historical time and urban space: the imperial palaces, the public churches, civic ritual and entertainment, economic and social services, the provision of welfare and defense, and the role of monasteries in the life of the community.

ARHA 531 / LATE OTTOMAN AND EARLY REPUBLI
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Ottoman modernism and the historical and cultural transformation in the 18th and 19th centuries will be discussed in view of the artistic developments. How Western modality penetrated into the cultural sphere and how borrowings led to the birth of new techniques, forms and styles in the art and architecture of the 18th and 19th centuries leading to the early Republican Period will be the main theme in the course including a critical discourse of the concepts of 'modernism' and 'westernization' and 'national identity'

ARHA 539 / 19TH CENTURY OTTOMAN CITIES
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An examination of the key methods and arguments in the study of 19th-century Ottoman cities, from the onset of the Tanzimat reforms in 1839 until after WWI and the empire’s demise, and focusing on Istanbul, Izmir, Beirut and Salonica. Giving equal weight to the physical and social fabrics in the study of these cities, discussion of the complex and often conflicting local discourses on the city, actual projects of urban modernization, the emergence of modern institutions and forms of governance, questions of agency, image-making and representations of modernity, among other subjects.

ARHA 559 / SELECTED TOPICS IN ARCHAEOLOGY
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

ARHA 581 / INTRODUCTION TO MARITIME ARCHA
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Overview of the field, research questions integral to topic. Investigation of key issues in the management and protection of underwater cultural heritage. Investigation of main excavations and influential individuals.

ARHA 582 / DOCUMENTATION&CONSERVATION MET
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Introduction to the methods and tools used in archaeological field projects and in the laboratory. Practicing methods used in site, artifact, and wreck documentation and reconstruction. Conservation techniques applicable to finds from both maritime and terrestrial sites.

ASIU 102 / IMAGINING THE OTHER
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Examinaton of the definition of the ?Other?, starting with the widespread description of the term as the processes by which social groups create boundaries and distinctions, often demonizing, dehumanizing, romanticizing, or exoticizing those who do not fit into their society. Exploring the notions of the Other represented in literature to canvas a human fascination with the foreign and the unknown, unlimited by time, place, or cultural context. Focusing on the ways of perception of the Other in socio-cultural, political, religious, geographic, ethnic, gendered, or racial terms in different cultures or time periods. Exploring human identity in relation to the Otherness of the monstrous, the animal, and the super-, sub-, or extra-human.

ASIU 102 / IMAGINING THE OTHER
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Examinaton of the definition of the ?Other?, starting with the widespread description of the term as the processes by which social groups create boundaries and distinctions, often demonizing, dehumanizing, romanticizing, or exoticizing those who do not fit into their society. Exploring the notions of the Other represented in literature to canvas a human fascination with the foreign and the unknown, unlimited by time, place, or cultural context. Focusing on the ways of perception of the Other in socio-cultural, political, religious, geographic, ethnic, gendered, or racial terms in different cultures or time periods. Exploring human identity in relation to the Otherness of the monstrous, the animal, and the super-, sub-, or extra-human.

ASIU 102 / IMAGINING THE OTHER
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Examinaton of the definition of the ?Other?, starting with the widespread description of the term as the processes by which social groups create boundaries and distinctions, often demonizing, dehumanizing, romanticizing, or exoticizing those who do not fit into their society. Exploring the notions of the Other represented in literature to canvas a human fascination with the foreign and the unknown, unlimited by time, place, or cultural context. Focusing on the ways of perception of the Other in socio-cultural, political, religious, geographic, ethnic, gendered, or racial terms in different cultures or time periods. Exploring human identity in relation to the Otherness of the monstrous, the animal, and the super-, sub-, or extra-human.

ASIU 102 / IMAGINING THE OTHER
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Examinaton of the definition of the ?Other?, starting with the widespread description of the term as the processes by which social groups create boundaries and distinctions, often demonizing, dehumanizing, romanticizing, or exoticizing those who do not fit into their society. Exploring the notions of the Other represented in literature to canvas a human fascination with the foreign and the unknown, unlimited by time, place, or cultural context. Focusing on the ways of perception of the Other in socio-cultural, political, religious, geographic, ethnic, gendered, or racial terms in different cultures or time periods. Exploring human identity in relation to the Otherness of the monstrous, the animal, and the super-, sub-, or extra-human.

ASIU 104 / ART AND INNOVATION
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Interdisciplinary study of connections between art/design and politics, science, psychology, literature, music. Creative thinking activities. Innovative design studio. Role of images in propaganda, advertising. Impact of masterpieces in society. Visual perception, gestalt, color theory, drawing as a way of thinking, form and function, poetics of space, collaboration, artistic research. Fluxus, public art, information arts, kinetic sculpture, environmental art.

ASIU 104 / ART AND INNOVATION
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

Interdisciplinary study of connections between art/design and politics, science, psychology, literature, music. Creative thinking activities. Innovative design studio. Role of images in propaganda, advertising. Impact of masterpieces in society. Visual perception, gestalt, color theory, drawing as a way of thinking, form and function, poetics of space, collaboration, artistic research. Fluxus, public art, information arts, kinetic sculpture, environmental art.

ASIU 109 / ART OF MUSIC AND MOVEMENT IN T
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An exploration of the aesthetic concepts of the 20th century musical composition and dance choreography, the arts of creating/organizing sounds and movements. Possible relationships-both diverging and converging-between these two disciplines when brought together on stage in traditional or contemporary inter-disciplinary artistic forms such as dance-musical, music-drama, opera, digital multi-media performance. Considering parallel developments in other artistic fields such as painting, sculpture and cinema. Testing and challenging the boundaries between sound and movement, as well as those investigating the tripartite relation between sound, movement and image. Critical discussions on Aesthetics, Modernity&Postmodernity, High&Low Art, Orientalism&Self-Orientalism, the nature of art and creativity, autonomy of artistic disciplines as well as blurring of boundaries.

ASIU 109 / ART OF MUSIC AND MOVEMENT IN T
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An exploration of the aesthetic concepts of the 20th century musical composition and dance choreography, the arts of creating/organizing sounds and movements. Possible relationships-both diverging and converging-between these two disciplines when brought together on stage in traditional or contemporary inter-disciplinary artistic forms such as dance-musical, music-drama, opera, digital multi-media performance. Considering parallel developments in other artistic fields such as painting, sculpture and cinema. Testing and challenging the boundaries between sound and movement, as well as those investigating the tripartite relation between sound, movement and image. Critical discussions on Aesthetics, Modernity&Postmodernity, High&Low Art, Orientalism&Self-Orientalism, the nature of art and creativity, autonomy of artistic disciplines as well as blurring of boundaries.

ASIU 109 / ART OF MUSIC AND MOVEMENT IN T
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An exploration of the aesthetic concepts of the 20th century musical composition and dance choreography, the arts of creating/organizing sounds and movements. Possible relationships-both diverging and converging-between these two disciplines when brought together on stage in traditional or contemporary inter-disciplinary artistic forms such as dance-musical, music-drama, opera, digital multi-media performance. Considering parallel developments in other artistic fields such as painting, sculpture and cinema. Testing and challenging the boundaries between sound and movement, as well as those investigating the tripartite relation between sound, movement and image. Critical discussions on Aesthetics, Modernity&Postmodernity, High&Low Art, Orientalism&Self-Orientalism, the nature of art and creativity, autonomy of artistic disciplines as well as blurring of boundaries.

ASIU 109 / ART OF MUSIC AND MOVEMENT IN T
Term: Fall 2022Units 3Times: 0:00:00-0:00:00

An exploration of the aesthetic concepts of the 20th century musical composition and dance choreography, the arts of creating/organizing sounds and movements. Possible relationships-both diverging and converging-between these two disciplines when brought together on stage in traditional or contemporary inter-disciplinary artistic forms such as dance-musical, music-drama, opera, digital multi-media performance. Considering parallel developments in other artistic fields such as painting, sculpture and cinema. Testing and challenging the boundaries between sound and movement, as well as those investigating the tripartite relation between sound, movement and image. Critical discussions on Aesthetics, Modernity&Postmodernity, High&Low Art, Orientalism&Self-Orientalism, the nature of art and creativity, autonomy of artistic disciplines as well as blurring of boundaries.